New STNR release on LEVIATHANSATELLITEDISH Records

If you're yearning for more from STNR who did this year's "The Line" you can check out the "Drugs Before Lunch" disc on http://leviathansatellitedish.com/. Get it NOW!

[DTRASH201] STNR - The Line

[DTRASH201] STNR - The Line
"The Line", is Icelandic artist STNR's, first for the D-Trash label and his longest release yet. Clocking in at just under 40 minutes, it features 10 tracks of cryptic vocals, hypnotizing synths, distorted breakbeats, hardcore drum programming and all-around distorted madness. Included with these tracks is a bonus track produced in 2016 under the "SPEEDHACK" moniker, called "SHIT TRAX". 6 minutes and 51 seconds of distorted beats and violent samples. A word of warning - DON'T START SHIT!

Genres: Rhythmic Noise, Breakcore, Broken Beat, Electro, Industrial

Release Date: 2017/06/01
Length: (39:11)
Track Info: Discogs.com
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[DTRASH169] THE FIRST SEED & CHIC GALA - Free Prostitute

THE FIRST SEED & CHIC GALA - Free Prostitute
With "Free Prostitute", THE FIRST SEED presents 8 super charged electronic beats featuring the vocal colorings and lyrical stylings of 2012's most dangerous songstress: CHIC GALA. Following the recent release of her debut album "Inside The Ember Palace", this collection of songs showcases a much darker, more aggressive side of the performer. With tracks reminiscent of ATARI TEENAGE RIOT and CRYSTAL CASTLES on speed, the two definitely give the digital hardcore genre their own Southern Ontario dirty underground spin. With lyrical topics ranging from socio-political strife to the pain of getting your wisdom teeth removed and of course love(/obsession), THE FIRST SEED exchanges vocal and lyrical duties on almost all the songs giving the delivery a dynamic flow of the prose a complimentary contrast. The tracks spanning 20 minutes total are jammed with high intensity shredded breaks, slamming gabber kicks and desperate screams fueled by the futile dreams demanded from living in a capitalist nightmare.

Genres: Breakcore, Punk, Post-Punk, Broken Beat, Industrial
Release Date: 2012/12/13
Length: (20:22)
Track Info: Discogs.com

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[DTRASH159] THE FIRST SEED - We Are The Only Ones

[DTRASH159] THE FIRST SEED - We Are The Only Ones
Individuality is an illusion. We''re all willing minions to the corruption subtly veiled in deceit as the elite lead the masses using greed and consumerism to perpetuate the illusion of freedom while we succumb to their riches'' shackles. "We Are The Only Ones" is an exploration of 21rst century frustration with all encompassing conformity, failing governments and monetary systems as general complacency continues to allow our lives to be dictated by the almighty dollar. From impossibly fast computer drum shredding accompanied by gut wrenching screams to rap infused punk dub step this album is dynamic, abrasive and straight from the heart of The First Seed.

Genres: Industrial, Breakcore, Punk, Rhythmic Noise, Hip Hop, Power Electronics
Release Date: 2011/8
Length: (20:15)
Track Info: Discogs.com

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[DTRASH145] BABYLON DISCO - To Find And Destroy Atlantis

[DTRASH145] BABYLON DISCO - To Find And Destroy Atlantis
After grinding us with side project IYOV, our resident Swede-Trasher BABYLON DISCO gives us a very drum&bass infused blend of dark and bleak digital hardcore, in the vein of Patric Catani and Christoph De Babalon. This includes new tracks as well as a re-release of last year's "Hiroshima" EP! This dub sentence is hereby enforced!

Genres: Noise, Breakcore, Digital Hardcore, Broken Beat, Rhythmic Noise, Glitch
Release Date: 2010/10
Length: (32:02)
Track Info: Discogs.com

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[DTRASH137] THE FIRST SEED - Defunktionalized

[DTRASH137] THE FIRST SEED - Defunktionalized
An exploration in abstract jungle, breakcore, and organized sound, THE FIRST SEED's 2nd release for D-TRASH leaves dancefloors even more confused. This material follows a conceptual path of our current technologically dependent lifestyles, and the coming upheaval caused by the dramatic threats of human reliance on advances in intelligent robotics. Channelling his cavernous aggressive electronic sounds through this mindset, has culminated in the most in-depth programming ever undertaken by THE FIRST SEED.

Genres: Noise, Breakcore, Rhythmic Noise, IDM, Power Electronics, Experimental
Release Date: 2009/11
Length: (28:24)
Track Info: Discogs.com

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[DTRASH131] IYOV - Allt Är Skit, Jämt

[DTRASH131] IYOV - Allt Är Skit, Jämt
In English, it means "Everything is fucking awful" - After releasing his first EP, IYOV (aka longtime D-TRASHer BABYLON DISCO) teams up with a number of other musicians to bring you this debut album. This mix of digital hardcore, metal and oldschool hardcore punk delivers quite a punch to the throat.

Genres: Rhythmic Noise, Grindcore, Gabber, Punk, Breakcore
Release Date: 2009/11
Length: (25:41)
Track Info: Discogs.com

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[DTRASH127] THE FIRST SEED - The First Seed

[DTRASH127] THE FIRST SEED - The First Seed
Thick and crusty breakcore makes up the punishing D-TRASH debut of notorious Toronto DJ 'THE FIRST SEED'. Longtime a staple of T.O. extreme electronic shows, and other allies like HERE'S MY CARD RECORDs, his full-length album is an echoing bomb blast of

Genres: Rhythmic Noise, Broken Beat, Noise, Breakcore, Jungle
Release Date: 2009/6
Length: (40:46)
Track Info: Discogs.com

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[DTRASH126] NOT HALF - I Want It To Be 1983 Again

[DTRASH126] NOT HALF - I Want It To Be 1983 Again
Al Al this time bowls a strike with this puzzlingly brilliant release of new material - Glooping glitches' rhythms pitterpatter through the experimental nostalgic-noisescapes shaped by Atari 2600-laced days of yonder.

Genres: Rhythmic Noise, IDM, Breakcore, Experimental, Future Jazz
Release Date: 2009/5
Length: (59:32)
Track Info: Discogs.com

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Review: DTRASH103 "Faux Pride" reviewed in Crucialblastshop.net

Here's a cool write-up we found about FAUX PRIDE's great 2008 release "Slapstick Bitch" on the CRUCIAL BLAST RECORDS webshop. This grindcore/crazycore label distro puts out a ton of great material as well as stocking thousands of the finest titles of underground extreme music (including some DTRASH, which are available to purchase through the shop). About the FP disc they said:


FAUX PRIDE Slapstick Bitch CD (D-Trash)
"If you explore the D-Trash catalog in depth (which with literally hundreds of releases in their catalog is no mean feat, let me tell you), you'll discover just about every possible known form of underground electronica and industrial music, everything from dystopian sound-collage and 80's style industrial to hardcore rhythmic noise, digital grindcore, black metal influenced breakcore, and everything in between, usually leaning towards the noisier and punk-influenced end of the spectrum. There's one project that recently released a new album on D-trash that actually combines many of these different sounds, a one man band called Faux Pride who has just released his third and apparently final album called Slapstick Bitch on the Canadian label. The goofy title, adolescent, gore-splattered album artwork and erratic mix of styles will probably turn a lot of people off, but I dug this album. The Manchester-based Faux Pride combines fierce gabber rhythms, harsh noise, brutal digital grindcore, weird soundscapes and LOTS of heavy, distorted breakbeats, cut up and sliced into jarring chunks of sound and edited back together into abrasive blasts of dark rhythmic sound. Noise and breakbeats are at the core of this disc, with distortion bleeding through everything, even the spoken word samples, and the only periods of calm that Faux Pride allows through the course of the sixteen songs on Slapstick Bitch are momentary fields of minimal ambience that appear between tracks. The tracks are mostly instrumental, and the only vocals that appear come from recycled film samples, sampled Gwen Stafani vocals, and other pilfered recordings, chopped and processed and looped over the grinding rhythmic noise and harsh breakcore collages. All of the heavy layers of distortion, noisy programmed blastbeats and huge, block-rockin' breaks remind me of the Curse of the Golden Vampire debut that Alec Empire did with Justin Broadrick and Kevin Martin of Techno Animal, but Faux Pride goes for a much more chaotic and spastic plunder-blast assault than COTGV. Fans of the harsher Digital Hardcore sound will love it."

[DTRASH094] BABYLON DISCO - Natsukashii

[DTRASH094] BABYLON DISCO - Natsukashii
BABYLON DISCO gives us his 2nd album for D-TRASH, this mini album of 8 songs. The material has a very thick late 1990's sound in tribute to to the type of collage project meets lowfi drum machine core of BOMB 20's "Field Manual", with a sprinkling of typical BD elements like melodic strings and enough obscure Simpsons references to make Jeffrey Alberton happy.

Genres: Noise, Breakcore, Digital Hardcore, Broken Beat, Rhythmic Noise, Glitch, Industrial
Release Date: 2007/2
Length: (25:25)
Track Info: Discogs.com

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[DTRASH078] PRINCESSE ROTATIVE - Fabuleuse Energie Feminine

[DTRASH078] PRINCESSE ROTATIVE - Fabuleuse Energie Feminine
Huko Yakami gives us a full length of kamikaze digital hardcore, full speed ahead mashing breaks, fuelled by high-octane looney-tune sampling - These sounds ricochet around the room and bounce off the walls with a punky and spunky spirit of guitar'n'noise-core sounds! Also released on PURE NOISE Records as a limited to 500 copy CD release.

Genres: Noise, Breakcore, Nursery Rhymes, Digital Hardcore, Hardcore, Broken Beat, Experimental
Release Date: 2005/11
Length: (34:58)
Track Info: Discogs.com

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[DTRASH032] ASURE - Zone Beyond Reality

[DTRASH032] ASURE - Zone Beyond Reality
All systems alert, prepare for attack! On this debut release, our friend Vlado K. dishes out 5 ton thick slices of hardcore pie, with thunderous & earthquaking dn'b sounds, which sweep you off your feet through distorted and rhythmic amenbreak experimentation, taken to massive new heights (and lows) - all the while, sounding somewhat 'accesible' enough to leave the door open temporarily for ex-ravers to hop the fence, and join the side of hardcore for once and for all.

Genres: Rhythmic Noise, Breaks, Noise, Digital Hardcore, Drum n Bass, Breakcore
Release Date: 2002/2
Length: (51:08)
Track Info: Discogs.com

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