[DTRASH189] HIMIKO - Victims Of Greed

[DTRASH189] HIMIKO - Victims Of Greed
Edmonton's HIMIKO has reached a point of no return on this her 4th release for D-Trash Records; We've got some really dark material here, something of brutal start/stop death metal-then-digital hardcore with her haunted pig-squeals that supplement the low tuned chunky sampled-core driven by the expectedly frenetic jagged gabber beats and breaks. Less of a direction change than DethNoizzz (compared to Fuck Off), and moreso a zooming in of what made the former so crushing.

Genres: Death Metal, Breakcore, Doom Metal, Gabber, Grindcore, Speedcore, Electro , Industrial

Release Date: 2014/10/31
Length: (18:15)
Track Info: Discogs.com
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[DTRASH175] SCHIZOID - The Remixed Extremes

SCHIZOID - The Remixed Extremes
The monolithic 2012 SCHIZOID release "The Next Extreme" is given the absolutely full remix treatment, with this definitive companion album. SCHIZ enlists on friends and comrades EVESTUS, DIRTY FINGERS LICKED, AMBASSADOR 21, NOT HALF, TUAREG GEEKS, NEEDLE FAC7ORY, THE FIRST SEED, HEARTWORM, HYPERDRIVER, KNAR, FFT ERROR, MIDI FISTER, DRUGZILLA & FAMINE.

Genres: Digital Hardcore, Black Metal, Industrial, Breakcore, Gabber, Rhythmic Noise, Metal
Release Date: 2013/03/01
Length: (60:36)
Track Info: Discogs.com

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[DTRASH172] SCHIZOID - The Epitaph EP

SCHIZOID - The Epitaph EP
SCHIZOID deconstructs another chapter in THE NEXT EXTREME with this collection of remixes & more of the album's 2nd single/music video. Released on the trending 2012 "Day Of Apocalypse", this batch of musick will keep you company during the final hours. EPITAPH is steadfastly remixed by able producers SATTA DON DADA, SYNTHETIC FREEDOM FIGHTERS, TALIXZEN, NOT HALF, DEAD BY SILENCE, HEARTWORM, EVILMINDED, MYSTERYMACHINE.

Genres: Digital Hardcore, Industrial, Breakcore, Rhythmic Noise, Black Metal
Release Date: 2012/12/21
Length: (73:35)
Track Info: Discogs.com

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REVIEW: "The Virus Has Been Spread" @ AquariusRecords.org

Oh man, how this takes us back. Canadian label D-Trash is definitely the new DHR, spawning a whole new scene of breakcore bruisers and digital hardcore crushers. Admittedly they owe a huge debt to Alec Empire, Atari Teenage Riot and that breakcore/metal hybrid sound those folks practically created. So here it is, years after the demise of ATR, Empire has moved on, DHR seems to have disappeared, so what better time to remind folks how amazing that shit sounded then, and brutal and heavy and badass it still sounds today.

So here's the whole D-Trash roster, each tackling a classic Atari Teenage Riot track, all our favorites for sure, "Start The Riot", "Into The Death", "Delete Yourself", "The Future Of War"É Most of the bands here do it pretty straight, if anything just making the guitars crunchier and heavier, the beats more distorted and blown out, but still the tracks are classic, and sound enough like the originals that from note one, we're already banging our heads wildly.

A few folks mix it up, Untitus (whose reissued full length is listed elsewhere on this list) slows things down, unfurling a thick buzzing backdrop, letting the drums lurch in a grinding anti-funk, the vocals all sultry and slurred. Schizoid (who also has a full length reissue on this list) turns his ATR track into some howling ultradistorted blast of blackened breakcore, the drums a chaotic blur, the vocals a hateful howl, so intense and furious, so much so that it almost makes the original sound tame. Other highlights include the robotic electro of Evestus, the old school (digital) hardcore punk rock of DHC Meinhof, the skittery metallized jungle of CTRLer, the playful video game gabber of 64RevoltÉ It's all pretty amazing, we of course lean toward the heavier more brutal blasts of digital hardcore, but goddamn, this all still sounds so great. We've been going pretty nuts, immersing ourselves in all this amazing D-Trash stuff, it's like a nonstop breakcore dance party around here and we STILL can't get enough.

Start the riot! Delete Yourself!

[DTRASH160] SCHIZOID - The Next Extreme: The Remixes

[DTRASH160] SCHIZOID - The Next Extreme: The Remixes
The title track of SCHIZOID''s 2012 return album "The Next Extreme". The song, released online 2011 with an amazing video by PETE O'HEARN (www.youtube.com/watch?v=nz_TFP4oSuU), now gets remixed by the hardcore underground, with a 2012 release of the full album looming. No style is left unchecked here whether its crusty grindgabber, club-a-dubstep, or industrial dance metal. To hear the original version visit D-TRASH on YouTube and watch "The Next Extreme" video. Or, you can buy the schizoid.bandcamp.com version and get a .WAV of the final version from the 7" split released with HUMAN HERD.

Genres: Industrial, Breakcore, Punk, Gabber, Rhythmic Noise, Black Metal
Release Date: 2012/2
Length: (76:39)
Track Info: Discogs.com

FREE Download Album/Artwork: Archive.org
Get the album for 6.66$ donation: Bandcamp.com

MUSIC VIDEO: SCHIZOID "The Next Extreme"

D-TRASH sysop SCHIZOID comes through with the goods... the single to the upcoming "The Next Extreme" disc. Rawk and die! For more info and stuffs get thineself to http://www.schizoid.ca!

[DTRASH152] DK DANCE - Smells Like Riot

[DTRASH152] DK DANCE - Smells Like Riot
DK DANCE are at the forefront of the jaw-dropping talent of digital/hardcore/industrial metal coming out of France in the 2010's. Steady drum machine thuds + black metal riffs + led by torturous and wretched female screams = One unbelievable release, that years from now you'll be still hearing about.

Genres: Digital Hardcore, Industrial, Breakcore, Punk, Black Metal, Electro, Experimental
Release Date: 2010/12
Length: (26:44)
Track Info: Discogs.com

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Free ATARI TEENAGE RIOT tribute CD?! Deal This Month

FREE ATARI TEENAGE RIOT TRIBUTE cd!???????????????
Yes that is right... Read on....

[DTRASH129.5] PHALLUS ÜBER ALLES - Nur Ein Bisschen

[DTRASH129.5] PHALLUS ÜBER ALLES - Nur Ein Bisschen
Here is the final 5th, of the 5 FINGERS MAKE A FIST release from our friends PHALLUS ÜBER ALLES. This EP showcases new track "Nur ein Bisschen" and includes remixes from EE:33, ROBERT INHUMAN, REMY BRECHT, and MASSAKISS.

Genres: Digital Hardcore, Noise, Breakcore, Punk, Rhythmic Noise, Industrial, Jungle
Release Date: 2010/3
Length: (20:12)
Track Info: Discogs.com

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[DTRASH124] NO BRIGADE - Back In Hell

[DTRASH124] NO BRIGADE - Back In Hell
Retaliation against authority and confrontation reaches its peak with NO BRIGADE's sophomore effort "Back In Hell". Their brand of digital hardcore denounces fashions and goes for the throat with noise soaked rage!

Genres: Digital Hardcore, Noise, Breakcore, Punk, Rhythmic Noise, Industrial, Hardcore, Power Electronics, Hip-Hop
Release Date: 2010/1
Length: (23:45)
Track Info: Discogs.com

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[DTRASH131] IYOV - Allt Är Skit, Jämt

[DTRASH131] IYOV - Allt Är Skit, Jämt
In English, it means "Everything is fucking awful" - After releasing his first EP, IYOV (aka longtime D-TRASHer BABYLON DISCO) teams up with a number of other musicians to bring you this debut album. This mix of digital hardcore, metal and oldschool hardcore punk delivers quite a punch to the throat.

Genres: Rhythmic Noise, Grindcore, Gabber, Punk, Breakcore
Release Date: 2009/11
Length: (25:41)
Track Info: Discogs.com

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[DTRASH138] THE NAMED - The Named

[DTRASH138] THE NAMED - The Named
JP Anderson, frontman of industrial punk-hop band RABBIT JUNK, ex-member of THE SHIZIT, on a disc of 11 incendiary tracks that will make you feel like it's 1999 all over again. The release of this FREE digital-only album is shared amongst underground allies including D-TRASH, GLITCHMODE, CALMBEFORETHESWARM, and others. Enjoy the angry vocals, guitars, throbbing destructo beats, and intense political will of this 2009 return!

Genres: Digital Hardcore, Noise, Industrial, Breakcore, Nu Metal, Heavy Metal
Release Date: 2009/10
Length: (36:21)
Track Info: Discogs.com

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[DTRASH129.4] PHALLUS UBER ALLES - Fuck The Radio

[DTRASH129.4] PHALLUS UBER ALLES - Fuck The Radio
PHALLUS ÜBER ALLES finger you with this, the 4th chapter of "Five Fingers Make A Fist". Up for remix on this is a buffet-sized pack of remixes of their hit "Fuck The Radio", from DTRASH99, remixed by over 20 of the undergrounds electronic artists. Includes great new renditions from D-TRASHers such as SCHIZOID, HIMIKO, MIND DISRUPTION, BABYLON DISCO, HYPERDRIVER, NOT HALF, DISTONN as well as new faces like STEREOFECT, SYNTHETIC FREEDOM FIGHTERS, MYSTERYMACHINE.

Genres: Digital Hardcore, Noise, Breakcore, Punk, Rhythmic Noise, Industrial, Jungle
Release Date: 2009/10
Length: (63:07)
Track Info: Discogs.com

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D-TRASH titles now available through DSBP Records

D-TRASH Records releases' are now available to order through DSBP Records:


http://www.dsbp.cx/

DSBP : Delaminating Semantic Boisterous Proliferation Club EBM/ Harsh Industrial/ Dark electronics Mailorder open 24/7 with quick customer service answering orders

They're stocking the following titles:
DTRASH109 - Matamachete - Tanin No Kao [ORDER]
DTECH08 - The M.E.M.O.R.Y. Lab - The M.E.M.O.R.Y. Lab [ORDER]
DTECH07 - V/A - The Virus Has Been Spread - Tribute to Atari Teenage Riot [ORDER]
DTECH06 - Hansel - Lorentzian Lineshaper [ORDER]
DTECH04 - Contra - Enter The Winter [ORDER]

Deadline coming for Fuck The Radio remixes by Phallus Uber Alles

Deadline coming for Fuck The Radio remixes by Phallus Uber Alles
We are planning to put out DTRASH129.4 "Fuck The Radio Remixes" by Phallus Uber Alles at the beginning of October.

If you've started a remix, get it finished so that you can be included on the final version. We need this before the end of September.

These are artists who've given us mp3 files but not wav files. We need WAV files of your final mastered track in order to include your material on the cd. If you know any of these people please forward them over to this blog so they can read it and get their act in gear.

=Enemy Agent - Renegade Radio Remix
=Fayth Scar Remix
=IALTS Freestyle Remix
=Knobhead Remix 1
=Knobhead Remix 2
=Radioodbiornik Ultra Remix
=Trudge Remix

If you work best under pressure and want to get a remix together yes there's still time but obviously not much left. The samples are here (forget that the dir says Hansel):
http://www.lunaticfringe.org/~schizoid/mp3/hansel/phallusuberalles-fucktheradio.rar

-Schizoid!

[DTRASH129.3] PHALLUS UBER ALLES - Cockpit

[DTRASH129.3] PHALLUS UBER ALLES - Cockpit
PHALLUS UBER ALLES poke out your eardrums with another of the "5 Fingers Make A Fist" series, showcasing their sassy brand of feminist digital hardcore. Remixes from DECOY ROBOT, AMBASSADOR 21, INNOMINATE, PHALLUS UBER ALLES, MEGATRON, CIVIC TV CHANNEL 83, THE APPENDAGE make up this CD single of the infamous track from their "Iron Woman" release.

Genres: Digital Hardcore, Noise, Breakcore, Punk, Rhythmic Noise, Industrial, Jungle
Release Date: 2009/9
Length: (31:30)
Track Info: Discogs.com

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[DTRASH129.2] PHALLUS UBER ALLES - Brawl At The Boys & Girls Club

[DTRASH129.2] PHALLUS UBER ALLES - Brawl At The Boys & Girls Club
PHALLUS UBER ALLES poke out your eardrums with another of the "5 Fingers Make A Fist" series, showcasing their sassy brand of feminist digital hardcore. Remixes from AMBASSADOR 21, REMISSER, TRUDGE, REMY BRECHT, GLTCH BITCH, OPERATION FALLRELOAD make up this CD single of the infamous track from their "Iron Woman" release. This IS what the girls (and boys!) want!

Genres: Digital Hardcore, Noise, Breakcore, Punk, Rhythmic Noise, Industrial, Jungle
Release Date: 2009/8
Length: (23:40)
Track Info: Discogs.com

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PHALLUS UBER ALLES - DTRASH129 Interview

Q = SCHIZOID, D-TRASH RECORDS
A = REMY, PHALLUS UBER ALLES

Q: Your track was one of the highlights of that compilation... What made you decide to come back to it for an EP of it?
A: After two versions, we still felt like we hadn't gotten it right. The logical solution was for us to dissect it and mutate it all over the place!



Q: I notice there is one version, the demo version which is the most similar to the original track, with the way the vocals are delivered.
A: Yeah, the vocals were definitely the hardest part. There's something unique about how bands write English lyrics when it isn't their first language. Our own lyric structures are pretty different from ATR, and it was hard for us to translate, if that makes any sense!

Q: This is the first release after 2007's "Les Femmes De La Guerre. Looking back what did you think of that release. How was it received in your fanbase
A: We love that release and the EP format in general, but it was a good and bad thing. People loved the new songs, but also gave us shit for having so few new tracks. If anything, it was exciting to see that people are hungry for the next PUA album.

Q: Why FUCK The Radio? What did the radio ever do to you.
A: For the most part, radio is a joke. The bigger stations play the same 10 songs, over and over again. They won't play 99% of our songs due to censorship issues. There are some cool stations out there, though... like WEVL and KZSU.

Q: Do you think the radio format is still relevant in this day and age. At the same time I ask that I also ask that from the angle of how it pertains to bands on D-TRASH like yourself. Is there any potential? Or is it a lost cause.
A: Satellite and online radio are things we have yet to explore, and our few experiences with foreign stations have been really positive... but unless the American system is radically overhauled, it seems like way more trouble than it's worth.

Q: If they were to play either version of "Fuck The Radio" ON the radio, what version would you prefer, from that EP. The censored, or uncensored. And having said that, would them having played the censored version as a halfway point, would that be cool to you guys at all?
A: Hahaha, it would be hilarious if they played the censored version, since we did that to illustrate just how ridiculous censorship can get... there's no song anymore, just constant bleeps!

Q: Speaking of that track, that will be one of the slices of your upcoming series of releases, 5 Fingers Make A Fist. What is going on with that.
A: We were sitting on this huge pile of remixes by other bands and needed a way to get them out and reward them for their hard work... and to get some more PUA out there for people to hear. Fuck the Radio is definitely going to be one of the EPs in the series... even though it'll have over an hour of stuff on it!

Q: Is there any one favorite you've heard so far that you know the audience is going to love? We're at almost 20 remixes now
A: Well, the Schizoid remix fucking rocks! In fact, we want to do a vinyl record with it on there because it's so badass. Everyone has done a great job so far chopping up and twisting our track, though-- the response has been awesome.

Q: Besides the Fuck The Radio remixes what else is planned, 5 releases? What is behind "5 Fingers Make A Fist"
A: Heatwave was the first one. We'll also have a cd of Cockpit remixes, a cd of Brawl remixes, and finally an EP of new songs like "Nur Ein Bisschen." We've been using the fist imagery in our work for a while. It stands for solidarity and revolution... but it has a dark side. It can also be misused for violence and abuse. For these EPs, the idea was to pull together all these scattered bands and release them in one entity... we're stronger when we work together instead of struggling alone.

Q: I would call PHALLUS UBER ALLES a political band. What would you say are the top 5 political concerns of your idealogical agenda.
A: Well, we are of course largely concerned with women's rights, gender equality and everything that entails, as well as GLBTQ rights. The rights of workers and everyday people versus the abuses of government and corporations are also big sticking points for us.

Q: Do you feel that this music/this genre can still affect change in those things? Have you felt your music has affected it? In the 5-10? years your project and related have been active.
A: One problem is that the genre has become largely non-political, other than a general "rip the system" kind of sentiment. That needs to change, people need to get angry again. We would like to think that we've managed to maintain our ideals and message over time. To that end, we have some pretty amazing conversations at our shows where people express changes in their lives as a result of analyzing our content... how they view and treat women, how they handle relationships... change is still possible and viable!

Q: What do you think led to the de-politicization of 'the scene' if anything.
A: I think that one of the factors was definitely that a lot of the first-generation digicore bands either retired or went into non-political directions. Another would be the rise of the breakcore scene, which often [but not always] focuses more on musical one-upsmanship and comedy-- song titles, samples, imagery-- over any sort of focused activism.

Q: Do you find there is surprise/reaction/cynicism/delight/encouragement/discouragement/anything do you get any kind of buzz from the bands you play with, as probably most often, these days, the most "political band" of the night? When you're on a showbill with like Dr. Pizzamesh or DJ Fishslapper. Considering everything's reversed and it is in ways, like the same conditions when the originators of the digicore genre created this.
A: More than once, other bands have expressed fear that we were going to show up and "chop their dicks off" because of our imagery and message. Once they see us perform, though, they get what we're about. We used to just hurl socio-political rants over feedback at audiences, and they shut down, it was inaccessible to them. Putting ideas into a song format, though, makes it easier to digest, people can get into it and have fun while still considering the ideas within. We've also been playing more shows with bands like R#@$#@$, in which case we're not the only political band on the bill... it's been nice.

Q: What do you think is the demographics, male vs female of your fanbase.
A: We have a largely female fanbase, from teenagers to middle-aged women and beyond, but there are a decent amount of guys into PUA, too... especially once they realize that we're not about hating the male, we're about celebrating the female.

Q: "we're not about hating the male" Do you find that that is a perception about you? When presenting your ideas to probably a largely male audience at these electro shows.
A: In addition to the "dick-chopping" perception I mentioned earlier, there's also this notion we sometimes run across that our music is for women only or that PUA are feminazi lesbians run amok. PUA is for everyone-- regardless of gender or sexuality, we all need to address these issues together if things are going to improve.

Q: Probably some of that might come across when they see that there's a male in the band as well.
A: My role in the band is a complicated thing. A lot of guys will want to talk to me after shows, thinking it's "my band" because of... I don't know, because they think you need a penis to write this kind of music? My existence also prevents us from being able to play certain festivals... because we have one male member, we're somehow less of a feminist band in some people's eyes. Diesel always says that I have an honorary vagina, however. ;)

Q: ;) So, this whole 5 Fingers Makes A Fist thing is leading up to a set of new material? Tell us about that.
A: Yes, our second album. When we wrote Iron Woman, almost all the songs were created in the studio and played live only after the CD had come out. Now, we test out our songs live before we ever set foot in a recording booth. We find out which things work, which things don't... the songs evolve live, and sound more genuine when we finally capture them.

Q: How are the new songs sounding.
A: The new stuff sounds amazing! Hard, fast, intelligent-- Diesel has outdone herself in the lyrics department-- we've learned a lot since the first record. We're really psyched about the tracks.

[DTRASH129.1] PHALLUS UBER ALLES - HEATWAVE EP

[DTRASH129.1] PHALLUS UBER ALLES - Heatwave
-PHALLUS ÜBER ALLES give us this new remixes EP of their scorching ATARI TEENAGE RIOT cover from our D-TRASH/ATR compilation we did last year. Includes live, alternate, remixed versions; this release is the first of a 5 part series "5 Fingers Make A Fist

Genres: Digital Hardcore, Noise, Breakcore, Punk, Rhythmic Noise, Industrial, Jungle
Release Date: 2009/6
Length: (21:48)
Track Info: Discogs.com

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[DTRASH125] UNITUS - No Gods, No Masters

[DTRASH125] UNITUS - No Gods, No Masters
Throughout the early 2000's, there existed a few sets of UNITUS demos meant as a follow up to "Cross Contamination" (our 2nd officially pressed CD as a label). Now D-TRASH cracks open the vault and releases this 10 song powerhouse, of sludgey industrial grind e-metal.

Genres: Heavy Metal, Industrial, Breakcore, Experimental, Noise
Release Date: 2009/5
Length: (71:07)
Track Info: Discogs.com

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