[DTRASH204] HERCKLEKOT - Żmijo

[DTRASH204] HERCKLEKOT - Żmijo
Abstrakt elektro punk band HERCKLEKOT from Bytom, Poland gives D-TRASH a new full length to start off 2018 with. Released January 19 2018 we want you to enjoy this new FREE download, the band's 3rd album (not including last years 2xEP reissue of "666/Czeci Plac). After that one we got real excited when we'd heard there would be brand new material. Though associated with D-TRASH for years, HERCKLEKOT has always been more than a 'digital hardcore' band, with their raucous sound including many other genres including punk, ska, reggae, techno, folk. Whereas this might for other bands serve as an excuse for lack of intensity, HERCKLEKOT always manage to keep it loud, drunken and manic. This time they also came packing a Sitar! Recorded throughout 2017, "Zmijo" offers up many sounds which make this the groups longest and most varied album. You can expect a pack of rowdy vocals. You will run from the punked out guitar assault! And you will hide from the toys, pots & lids that make up their intricate percussions!

Genres: Punk, Breakcore, Digital Hardcore, Ska, Folk, Industrial Punk

Release Date: 2018/01/19
Length: (57:57)
Track Info: Discogs.com
Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (mediafire)
+Mirror: (bandcamp.com)

[DTRASH169] THE FIRST SEED & CHIC GALA - Free Prostitute

THE FIRST SEED & CHIC GALA - Free Prostitute
With "Free Prostitute", THE FIRST SEED presents 8 super charged electronic beats featuring the vocal colorings and lyrical stylings of 2012's most dangerous songstress: CHIC GALA. Following the recent release of her debut album "Inside The Ember Palace", this collection of songs showcases a much darker, more aggressive side of the performer. With tracks reminiscent of ATARI TEENAGE RIOT and CRYSTAL CASTLES on speed, the two definitely give the digital hardcore genre their own Southern Ontario dirty underground spin. With lyrical topics ranging from socio-political strife to the pain of getting your wisdom teeth removed and of course love(/obsession), THE FIRST SEED exchanges vocal and lyrical duties on almost all the songs giving the delivery a dynamic flow of the prose a complimentary contrast. The tracks spanning 20 minutes total are jammed with high intensity shredded breaks, slamming gabber kicks and desperate screams fueled by the futile dreams demanded from living in a capitalist nightmare.

Genres: Breakcore, Punk, Post-Punk, Broken Beat, Industrial
Release Date: 2012/12/13
Length: (20:22)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (mediafire)
+Mirror: (last.fm)

[DTRASH168] GRRZZZ - Dans Le Sens Du Poil

[DTRASH168] GRRZZZ - Dans Le Sens Du Poil
Originally released on LP and CD, this material now sees the light of day as GRRZZZs 2nd album for D-TRASH, featuring a full serving of irreverent electropunk industrial from the French duo.

Genres: Hardcore, Industrial, Punk, Noise, Industrial Metal
Release Date: 2012/8
Length: (51:30)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (mediafire)
+Mirror: (last.fm)

[DTRASH170] CHIC GALA - Inside The Ember Palace

[DTRASH170] CHIC GALA - Inside The Ember Palace

CHIC GALA formed in 2009 after emerging out of Zathura. The band fuses electro pop with bitch punk and a slice of anti-heaven. They draw inspiration from the runway and the gutter: Everything that is super glossed over and shiny in the media juxtaposed with the dirty reality of modern life. Fashionably TRAGIC lyrics echo the dead end sentiment of fallen poets and are directed towards emotionally unstable teenage girls...
Genres: Chiptune, Breakcore, Electro, Techno, New Wave, EBM
Release Date: 2012/5
Length: (35:11)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (mediafire)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

[DTRASH152] DK DANCE - Smells Like Riot

[DTRASH152] DK DANCE - Smells Like Riot
DK DANCE are at the forefront of the jaw-dropping talent of digital/hardcore/industrial metal coming out of France in the 2010's. Steady drum machine thuds + black metal riffs + led by torturous and wretched female screams = One unbelievable release, that years from now you'll be still hearing about.

Genres: Digital Hardcore, Industrial, Breakcore, Punk, Black Metal, Electro, Experimental
Release Date: 2010/12
Length: (26:44)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

[DTRASH148] F_NOISE VS GEN13 - Ya Sam Sebe President

[DTRASH148] F_NOISE VS GEN13 - Ya Sam Sebe President
Those trash-starry eyed hyperactive digital hardcore Russian teenagers from the early 2000's released a notorious self-titled greatest hits album on D-TRASH - But one unreleased gem from that era was this odd-ball collaboration project with GEN13 that experiments with improvisational grind-breakcore with live drumkit fills and absurd sampling hijinx!

Genres: Grind, Industrial, Breakcore, Field Recording, Digital Hardcore, Experimental
Release Date: 2010/10
Length: (30:03)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (mediafire)
+Mirror: (last.fm)

[DTRASH146] HERCKLEKOT - Wciśnij Knefel

[DTRASH146] HERCKLEKOT - Wciśnij Knefel
HERCKLEKOT are back and they aren't taking prisoners! Drum and bass rhythms propel angry Polish group vocals, in a state of emergency broadcast - industrial punk with heavy flavours of ska and folk! Not your average digi-core by any means...

Genres: Digital Hardcore, Industrial, Folk, Breakcore, Oi, Punk, Noise, Ska
Release Date: 2010/10
Length: (38:35)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

[DTRASH124] NO BRIGADE - Back In Hell

[DTRASH124] NO BRIGADE - Back In Hell
Retaliation against authority and confrontation reaches its peak with NO BRIGADE's sophomore effort "Back In Hell". Their brand of digital hardcore denounces fashions and goes for the throat with noise soaked rage!

Genres: Digital Hardcore, Noise, Breakcore, Punk, Rhythmic Noise, Industrial, Hardcore, Power Electronics, Hip-Hop
Release Date: 2010/1
Length: (23:45)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

[DTRASH141] JULIE D:STROY - Lipgloss N' Chaos

[DTRASH141] JUL!E D:STORY - Lipgloss N' Chaos!!!
No stranger to all things trashy, our friend JUL!E D:STROY now releases for the new year "Lipgloss N' Chaos". You may remember her from her recent appearance on the IYOV disc, and on this 9 song EP she rocks an instant-win with this bitchy and brash sugar-high of noisy digital hardcore.

Genres: Digital Hardcore, Breakcore, Punk, Pop, Hardcore, Electro
Release Date: 2010/1/1
Length: (20:46)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

PHALLUS UBER ALLES - DTRASH129 Interview

Q = SCHIZOID, D-TRASH RECORDS
A = REMY, PHALLUS UBER ALLES

Q: Your track was one of the highlights of that compilation... What made you decide to come back to it for an EP of it?
A: After two versions, we still felt like we hadn't gotten it right. The logical solution was for us to dissect it and mutate it all over the place!



Q: I notice there is one version, the demo version which is the most similar to the original track, with the way the vocals are delivered.
A: Yeah, the vocals were definitely the hardest part. There's something unique about how bands write English lyrics when it isn't their first language. Our own lyric structures are pretty different from ATR, and it was hard for us to translate, if that makes any sense!

Q: This is the first release after 2007's "Les Femmes De La Guerre. Looking back what did you think of that release. How was it received in your fanbase
A: We love that release and the EP format in general, but it was a good and bad thing. People loved the new songs, but also gave us shit for having so few new tracks. If anything, it was exciting to see that people are hungry for the next PUA album.

Q: Why FUCK The Radio? What did the radio ever do to you.
A: For the most part, radio is a joke. The bigger stations play the same 10 songs, over and over again. They won't play 99% of our songs due to censorship issues. There are some cool stations out there, though... like WEVL and KZSU.

Q: Do you think the radio format is still relevant in this day and age. At the same time I ask that I also ask that from the angle of how it pertains to bands on D-TRASH like yourself. Is there any potential? Or is it a lost cause.
A: Satellite and online radio are things we have yet to explore, and our few experiences with foreign stations have been really positive... but unless the American system is radically overhauled, it seems like way more trouble than it's worth.

Q: If they were to play either version of "Fuck The Radio" ON the radio, what version would you prefer, from that EP. The censored, or uncensored. And having said that, would them having played the censored version as a halfway point, would that be cool to you guys at all?
A: Hahaha, it would be hilarious if they played the censored version, since we did that to illustrate just how ridiculous censorship can get... there's no song anymore, just constant bleeps!

Q: Speaking of that track, that will be one of the slices of your upcoming series of releases, 5 Fingers Make A Fist. What is going on with that.
A: We were sitting on this huge pile of remixes by other bands and needed a way to get them out and reward them for their hard work... and to get some more PUA out there for people to hear. Fuck the Radio is definitely going to be one of the EPs in the series... even though it'll have over an hour of stuff on it!

Q: Is there any one favorite you've heard so far that you know the audience is going to love? We're at almost 20 remixes now
A: Well, the Schizoid remix fucking rocks! In fact, we want to do a vinyl record with it on there because it's so badass. Everyone has done a great job so far chopping up and twisting our track, though-- the response has been awesome.

Q: Besides the Fuck The Radio remixes what else is planned, 5 releases? What is behind "5 Fingers Make A Fist"
A: Heatwave was the first one. We'll also have a cd of Cockpit remixes, a cd of Brawl remixes, and finally an EP of new songs like "Nur Ein Bisschen." We've been using the fist imagery in our work for a while. It stands for solidarity and revolution... but it has a dark side. It can also be misused for violence and abuse. For these EPs, the idea was to pull together all these scattered bands and release them in one entity... we're stronger when we work together instead of struggling alone.

Q: I would call PHALLUS UBER ALLES a political band. What would you say are the top 5 political concerns of your idealogical agenda.
A: Well, we are of course largely concerned with women's rights, gender equality and everything that entails, as well as GLBTQ rights. The rights of workers and everyday people versus the abuses of government and corporations are also big sticking points for us.

Q: Do you feel that this music/this genre can still affect change in those things? Have you felt your music has affected it? In the 5-10? years your project and related have been active.
A: One problem is that the genre has become largely non-political, other than a general "rip the system" kind of sentiment. That needs to change, people need to get angry again. We would like to think that we've managed to maintain our ideals and message over time. To that end, we have some pretty amazing conversations at our shows where people express changes in their lives as a result of analyzing our content... how they view and treat women, how they handle relationships... change is still possible and viable!

Q: What do you think led to the de-politicization of 'the scene' if anything.
A: I think that one of the factors was definitely that a lot of the first-generation digicore bands either retired or went into non-political directions. Another would be the rise of the breakcore scene, which often [but not always] focuses more on musical one-upsmanship and comedy-- song titles, samples, imagery-- over any sort of focused activism.

Q: Do you find there is surprise/reaction/cynicism/delight/encouragement/discouragement/anything do you get any kind of buzz from the bands you play with, as probably most often, these days, the most "political band" of the night? When you're on a showbill with like Dr. Pizzamesh or DJ Fishslapper. Considering everything's reversed and it is in ways, like the same conditions when the originators of the digicore genre created this.
A: More than once, other bands have expressed fear that we were going to show up and "chop their dicks off" because of our imagery and message. Once they see us perform, though, they get what we're about. We used to just hurl socio-political rants over feedback at audiences, and they shut down, it was inaccessible to them. Putting ideas into a song format, though, makes it easier to digest, people can get into it and have fun while still considering the ideas within. We've also been playing more shows with bands like R#@$#@$, in which case we're not the only political band on the bill... it's been nice.

Q: What do you think is the demographics, male vs female of your fanbase.
A: We have a largely female fanbase, from teenagers to middle-aged women and beyond, but there are a decent amount of guys into PUA, too... especially once they realize that we're not about hating the male, we're about celebrating the female.

Q: "we're not about hating the male" Do you find that that is a perception about you? When presenting your ideas to probably a largely male audience at these electro shows.
A: In addition to the "dick-chopping" perception I mentioned earlier, there's also this notion we sometimes run across that our music is for women only or that PUA are feminazi lesbians run amok. PUA is for everyone-- regardless of gender or sexuality, we all need to address these issues together if things are going to improve.

Q: Probably some of that might come across when they see that there's a male in the band as well.
A: My role in the band is a complicated thing. A lot of guys will want to talk to me after shows, thinking it's "my band" because of... I don't know, because they think you need a penis to write this kind of music? My existence also prevents us from being able to play certain festivals... because we have one male member, we're somehow less of a feminist band in some people's eyes. Diesel always says that I have an honorary vagina, however. ;)

Q: ;) So, this whole 5 Fingers Makes A Fist thing is leading up to a set of new material? Tell us about that.
A: Yes, our second album. When we wrote Iron Woman, almost all the songs were created in the studio and played live only after the CD had come out. Now, we test out our songs live before we ever set foot in a recording booth. We find out which things work, which things don't... the songs evolve live, and sound more genuine when we finally capture them.

Q: How are the new songs sounding.
A: The new stuff sounds amazing! Hard, fast, intelligent-- Diesel has outdone herself in the lyrics department-- we've learned a lot since the first record. We're really psyched about the tracks.

[DTRASH122] VARIOUS ARTISTS - Subvert Punx 4-Way Split

[DTRASH122] VARIOUS ARTISTS - Subvert Punx 4-Way Split
4 punks from all over the world (Distonn/Russia vs. Clip/Belarus vs. Midi Fister/USA vs. Disbreakz/Croatia) decided to make a record/split featuring their vision of subversive breaks. To spice things up, the record cover was drawn by Simon Gane, which makes this record 100% underground. Subvert glitchy IDM jungle breakz meet punk diy vibe. This is breakcore.

Genres: Breakcore, Dub, Punk, Rhythmic Noise, Gabber, Breakbeat
Release Date: 2009/2
Length: (42:09)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megaupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

Graveconcernsezine.com reviews MATAMACHETE BLIPVERT

ARTIST: Matamachete
ALBUM: Tanin No Kao
LABEL: D-Trash Records
REVIEWER: Matthew J.
DATE: 2-10-09

With their mixture of hard drum 'n' bass beats, aggressive guitars, and punk-inspired shouts (often in Japanese, no less), Swiss group Matamachete are one of the more interesting things to hit the industrial scene of late. "Modus Operandi" opens their newest album with a violent blast pummeling breakbeats, chunky metal guitar riffs, and atonal yelps, something like what you'd imagine Mindless Self Indulgence would sound like if you replaced the juvenile humor with some real punk nihilism. Title track "Tanin No Kao" is brutal but funky, Japanese lyrics barked through a vocoder over gargantuan guitar chords and a rumbling hip-hop rhythm, and "Greed" can't quite decide of it's sexy or angry, pairing a throbbing bass and dirty synth sequence with mean guitars and throat-tearing shrieks. For all its intensity and barely controlled rage, this album has its lighter moments, too. "Brand of the Beast" and "Count Me Out" cross new school metal grooves with hip-hop breaks and a cleaner vocal delivery; they're big and brutal, but there's a funky vibe that's infectious and fun. "Freedom of Choice" actually slows down the electronics to a tempo approaching mellow, though the staccato vocals and sharp guitar riffs give the song its requisite edge, and "Few Things to Share" is one of the album's slowest tracks as well as its darkest, vocals snarled over a languid but oppressive rhythm section. With an aesthetic that draws on aggressive breakbeat and jungle rhythms as well as unapologetically metal guitar riffs, this is an album that manages to appeal in equal measure to drum 'n' bass and hard rock fans; it will especially appeal to fans of the new breed of industrial metal represented by groups like Rabbit Junk. Check out Matamachete online at www.matamachete.com.

ARTIST: BlipVert
ALBUM: Stop:Skronk:Explode!
LABEL: D-Trash Records
REVIEWER: Matthew J.
DATE: 2-10-09

BlipVert is the solo project of Will Redmond, who also plays in a number of other projects, including experimental act Cartridge and minimalist dub act E. Priest. Redmond's solo material runs the gamut from video game music to drum 'n' bass to ambient, but all uniquely spliced together and sped up into a frantic and punishing blur of ever-changing sounds and rhythms. Dub music is just about the last genre anyone would ever describe as frantic, but Redmond manages to make it happen on the first track; as "Peace with Ummem" segues from flute trills and footsteps to studio buzz and drumbeats, the rhythm turns into something fast and distorted but nonetheless possessed of an instrumental reggae flavor. It sounds like Lee "Scratch" Perry getting pulverized by a runaway freight train. "Big Boy Slip" is all abrasive distortion and sudden tempo changes, and "Barbwire Girls" slips seemingly at random between high-BPM hardcore techno and washes of ambience. As if the frenetic nature of his music wasn't enough, Redmond also makes several of his compositions extra creepy with what sound like disturbing playground rhymes, as on "Couch of Soob" and "Tao to a Feel." While Redmond is certainly capable of moving into mellower territory, as on the purely ambient outro "Georges" or the Art of Noise-inspired "Bye Judy, Don't Make 'em Sad," the pure unpredictability of this release is enough to drive a typical techno listener to self-harm. Noise freaks, on the other hand, will eat this up. Visit ww.synapsecompound.com for more information on BlipVert and Will Redmond's other projects.

[DTRASH119] GRRZZZ - Optima Ferox

[DTRASH119] GRRZZZ - Optima Ferox
Meet our new friends from Paris, France, and play in industrial punk duo GRRZZZ. They are DIY anarchists who are constantly touring across Europe in all squats and other alternative places. They welcome all people that struggle using their hands and brains in order to make an alternative way to capitalist domination and do not like false rebel suckers in weird clothes. Expect from this release, and their concerts a unique mixture of EBM, Industrial Metal, Digital Hardcore & Hardcore Punk. Recommended for aficionados of such diverse groups as Front242, Godflesh, Ministry, Atari Teenage Riot, Minor Threat or Black Flag.

Genres: Hardcore, Industrial, Punk, Noise, Industrial Metal
Release Date: 2008/11
Length: (37:52)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (mediafire)
+Mirror: (last.fm)

[DTRASH115] DK DANCE - Le Decroissance

[DTRASH115] DK DANCE - Le Decroissance
La Décroissance, DK DANCE's 2nd for D-TRASH is a wicked cyber punk collection, featuring black metal riffing, extravagant vocal lines and introvert programming. Uptempo interaction inbetween excellent male/female, transforming musically from digital hardcore into industrial black metal. A dark killer album that makes you jump around.

Genres: Digital Hardcore, Industrial, Breakcore, Punk, Black Metal, Electro, Experimental
Release Date: 2008/7
Length: (27:59)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megaupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

[DTRASH114] NO BRIGADE - Welcome To Hell

[DTRASH114] NO BRIGADE - Welcome To Hell
Brampton, Canada, riot kids NO BRIGADE deliver their debut album, a 11 song incendiary smoking mass of electronics and noises, underneath a set of fits yelled and MC'd into distorted microphones. With the aim to rid the world of manufactured music, they combine hyperactivity and noisy psychodelia with all the subtlety of rusty power tools.

Genres: Digital Hardcore, Noise, Breakcore, Punk, Rhythmic Noise, Industrial, Hardcore, Power Electronics
Release Date: 2008/7
Length: (21:38)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megaupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

[DTRASH111] CLONING EXPERIMENT FAILURE - Cloning Experiment Failure

[DTRASH111] CLONING EXPERIMENT FAILURE - Cloning Experiment Failure
Troublingly rough political noise digital hardcore group CLONING EXPERIMENT FAILURE released a number of underground releases in the Russian electronic scene. D-TRASH is very proud to present this exclusive greatest hits of CEF and their excessive feedback drenched riotbeats.

Genres: Digital Hardcore, Grindcore, Noise, Breakcore, Punk, Rhythmic Noise, Industrial
Release Date: 2008/6
Length: (24:35)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megaupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

[DTRASH106] HANSEL - Reshaping Linear Formulai

[DTRASH106] HANSEL - Reshaping Linear Formulai
The comprehensive remixed version of our 2006 CD "Lorentzian Lineshaper", this brings to the remixing table an interesting variety of past present D-TRASH artists & friends such as BABYLON DISCO, SECRET LIFE OF TEENAGE GIRLS, RENEGADE ANDROID, PHALLUS UBER ALLES & more!

Genres: Alternative, Digital Hardcore, Noise, Breakcore, Glitch, Hip Hop, Heavy Metal
Release Date: 2008/5
Length: (52:55)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megaupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

[DTRASH096] THE GIGGLIN DILDAS - BeautyqueenS

[DTRASH096] THE GIGGLIN DILDAS - BeautyqueenS
Belgium madhatters THE GIGGLIN DILDAs give us their first for D-TRASH, crazier than a pack of hyenas, the sound found on "Beautyqueens" offers up guy/girl shouts, fuelled by a dizzying array of samples, put to good use to convey thick distorted beats and challenge the threshold of digital hardcore music. Originally released as pressed CD with foldout poster included, limited to 40 copies.

Genres: Digital Hardcore, Industrial, Breakcore, Punk, Noise, Hardcore, Electro
Release Date: 2007/5
Length: (45:37)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megaupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

[DTRASH095] CONTRA - Unknown Animals

[DTRASH095] CONTRA - Unknown Animals
CONTRA's next full length album since his pressed CD in 2004 on D-TRASH, "Enter The Winter". Since then he has been busy releasing many of his mind-altering soundscapes through D-TRASH sublabel CONTRA RECORDINGS, through projects like THE DRUIDS, STRIDER, TUNDRA and more. Now he gives us this great 11 track album of mondo bizarro post post breakcore styled dhc minimalism. A dive even deeper into the waters where CONTRA's otherworldly sounds eminate!

Genres: Abstract, Noise, Experimental, Breakcore, Minimal
Release Date: 2007/4
Length: (44:05)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megaupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash

[DTRASH090] 64REVOLT - Ballads Of Malice And Discontent EP

[DTRASH090] 64REVOLT - Ballads Of Malice And Discontent EP
Sweden's 64REVOLT give us more new material with this EP, more of that girl & boy digital hardcore/punk sound - this time resulting in a much poppier and melodic style on these 4 tracks.

Genres: Power Pop, Chiptune, Breakcore, Digital Hardcore, Indie Rock, Electro
Release Date: 2006/11
Length: (19:46)
Track Info: Discogs.com

Download Album: Archive.org
Download Artwork: Archive.org
+Mirror: (rapidshare)
+Mirror: (megaupload)
+Mirror: (last.fm)

---
http://www.dtrashrecords.com
http://www.myspace.com/dtrash